PureSchmaltz

Rendered Fat Content

July 2024

Uncluttering

uncluttering
Unknown Artist: Panel of Uncut “Slip” Designs,
Hemp, plain weave; embroidered with silk in tent stitches
(1625-75)


Sometimes, but only sometimes, naming a condition starts the process of resolving it. So it was yesterday when I called out my Clutter before, later, tucking in to clear out some of it. I spent most of my day Uncluttering. If only it were also so easy. I feel grateful that it IS sometimes just that simple.

I've long held that I have an ethical responsibility to discuss whatever's not supposed to be discussed, for undiscussables hold special powers.

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Clutter

clutter
Jean-Baptiste-Siméon Chardin:
The Attributes of the Arts
and the Rewards Which Are Accorded Them
(1766)


" … poor but honest penmanship …"


My desk belies my self-conception as a tidy person. Perhaps I once was neat, but an honest appraisal would conclude that I am no longer well-ordered. My desk holds the residue of innumerable works in progress, some of which I finished. I've always struggled with creating permanent records. I maintain no files, just piles that continue accumulating. To put anything "away" seems the equivalent of losing it.

With the death of a dear friend last month, I've started wondering what sort of legacy I'll leave.

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Weekly Writing Summary For The Week Ending 7/04/2024

ws07042024
Henry Peach Robinson:
When the Day’s Work is Done,
A combination print made from six different negatives.
(1877, printed January 1890)



I Sleep Though My Julys
I dread July more than I dread the dead of Winter. Aside from the cool mornings, July days tend to turn punishingly warm. There's no escape until I turn on the sprinkler as the sun starts setting lower. The gardens exist balanced between scorched and saturated; whatever water I manage to apply early will be evaporated out by the end of most days. It's exhausting just failing to keep up. The gardens start producing, though, and the evenings, once the sun sets and the sprinkler's done its magic, compel us to eat on the back deck instead of in front of whatever's streaming. The TV's not been turned on in more than a week, and I'm not missing it. If I'm up by two, I have plenty of time to finish my writing before the sun starts to blind me. I can maintain my schedule as long as I'm out early. I hibernate most afternoons, remembering a soft blanket my mom used to spread on the living room floor before inviting me to nap through the blistering early afternoon hours. It was cool on the floor, and I could never keep my eyes open. I sleep through my Julys just like I doze through my Decembers.

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Wronking

wronking
Utagawa Yoshifuji:
Five Men Doing the Work of Ten Bodies
(Gonin jushin no hataraki) 1861


"Let nobody say that I compromised and delivered anything the easy way!"


I was wrong on several levels when I assumed that work would become easier as I aged. I presumed that I would naturally become more experienced so that my prior knowledge would accumulate to the point that I might only rarely feel baffled. Almost precisely the opposite has proven true. I find myself freshly baffled with virtually every engagement, with experience proving to be lousy preparation for whatever presents itself next. Contrary to my earlier theory of ever-expanding competence, my proficiencies wain. This feels more painful than I might have imagined. After decades of living without much ego involvement, I've lately started suffering from a wounded ego, a debilitating if rarely fatal condition that nonetheless feels alarming. My best intentions sneer back at me these days.

I have heard of people who claim to enjoy learning.

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RootDirectory

rootdirectory
William Trost Richards: Tree Roots (19th-20th century)


"May the Grace of perseverance preserve my sanity in the face of this unending inanity."


I recently
complained here about the new and improved Google Apps, for they seemed to have been specially designed to be unusable. Further use has led me to a deeper understanding that they were not new or improved but rely upon a now ancient design, one I had until recently managed to avoid learning. They employ the same form as MS-DOS' old hierarchical directory design, one so counter-intuitive as to seem unusable to anyone not entrained to comprehend it. I do not know how one comes to learn how to use RootDirectories and such. I know they offer few clues about navigating within and around them. I'm suddenly back to the primitive hunt-and-peck stage, often bewildered and frozen without a clue what to do next. If The Muse isn't around to advise, I stay frozen until after she returns.

The Muse is barely civil when I ask her one of my questions, for she learned about RootDirectories ages ago.

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Convertible

convertible
Jack Rodden Studio: Untitled
[dignitaries riding in convertible in town parade]

(c. 1950)


"Grace even catches up to politicians when they ask nicely enough."


Political campaigns look different from the inside. Outside looking in, an observer hopefully sees mostly what the candidate wants them to see. Scenes should seem carefully choreographed, scripts thoughtfully written and practiced, and presentations more or less perfect. Inside looking out, it's continually one damned thing after another, none of which seems quite right or even right-able. The ship seems like it's taking on too much water. The campaign started too late and seems to be falling ever further behind. The difference between inside and outside states gets to grate on the campaign team. Everything takes longer, costs more, and produces less. If not careful, the candidate and team might grow despondent. Were it not for the likely fact that the opposition has it worse, the effort would hardly seem worth it.

Take, for example, the simple idea of the candidate appearing in the Pasco Fourth Of July Parade, a tradition in this legislative district.

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Memorial

memorial
Jan Verkade: Memory (1893)


" … he'll forever overlook his homecoming."


No death seems complete until the survivors attend a Memorial. These affairs range from simple to elaborate, family to community. They represent much more than merely the memory of the recently departed; they embody an utterly unique slice of the departed's community. We trivially insist that everyone's essential and nobody exists as an island, but few ever suspect the depth and breadth of anyone's circle until after that center departs. Then, it's as if the central point of orientation has left the building. Even those otherwise related to each other seem somewhat worse for the absence without that one additional degree of connection. For instance, I could have sworn my friend Gary lived as a virtual hermit these past few years, but legions showed up for his Memorial picnic, catered with a massive hauled-in barbeque rig and a separate chuckwagon bar.

I came with my requisite pocketful of words.

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